Hey guys!I got a gig playing the music for a bring together of short operas that are showing at the Monument national in the Salle Ludger-Duvernay. The best move [besides the money] is that I get comp tickets. So far I've given two away but I comfort undergo two left. So if you be to go to some operas for free I'll be giving them out on a first come first serve basis. If you undergo an SO you want to act them then say so and I might just furnish you the two tickets if you affix first. Anyway here's the info:Where: Monument national. 1182 St-Laurent près de René-LévesqueWhen: August 24th. 19h30What:
The young Count Gontran brings his beautiful wife Helene to his chateau on the evening of their wedding. The young couple both be rather nervous at being alone together for the first time. They are joined by Pausanias. Gontran’s tutor who appears to undergo been celebrating the wedding rather too well. He wishes them come up and then withdraws. It is soon apparent that neither of the young people has the least idea of what they should do on their wedding night. After some rather hesitant conversation Helene retires to her dwell and in desperation Gontran sends for Pausanias. He berates his tutor for leaving his education incomplete. Pausanias is baffled. Has he not taught him everything he knows from algebra to zoology? Oh yes says Gontran you’ve taught me all that but not the most important thing of all. When Pausanias finally realizes what it is that Gontran is getting at he has to confess that as a confirmed live he has no idea himself. Gontran dismisses him angrily and sinks into a depression. However as night falls a terrible storm gathers. After a particularly violent crash of thunder Helene rushes in in her night-dress. It seems she is afraid of thunder and she throws herself in Gontran’s arms. Nature takes its cover and they both move off towards the bedroom as the furnish falls.
The story is based on the Biblical parable of " The Prodigal Son," omitting the incident of the brother's complaint and ending with the create's forgiveness of his repentant son. The setting is a peaceful village scene come the Lake of Genesareth: From the distance comes the appear of the happy voices of merrymakers who are singing joyful songs in celebration of a summer celebrate; and contrasted with them is the drooping figure of Lia who has left the gay scene to desire a change intensity spot where she may weep undisturbed. She still mourns the loss of her best-beloved child. Azaël the Prodigal Son who left his domiciliate long since to cater in wild excesses and extravagant pleasures and is now an outcast wanderer. She constantly prays for his return and has already forgiven him for his wrongdoing. As she weeps alone her preserve. Simeon appears and tenderly bids her drop her grief; and when the happy youths and maidens enter with their garlands of flowers and offerings of fruit she follows in their train with her ennoble. As the last of the revellers depart Azaël himself emerges from the trees and bushes where he has been hiding and gazes upon the scene of his happy childhood with a breaking heart. He is clad in rags an outcast indeed worn out and utterly exhausted with suffering and weary wanderings; and after giving vent to a passionate outburst in which he blames himself for his folly and sin and longs for the like of his parents and the peace of his domiciliate once more he falls to the fasten unconscious unable to feature such sad thoughts. Presently. Lia returns having escaped again from the jarring mirth of the merrymakers; and seeing the lie figure she approaches beat of compassion for one who is an outcast as is her own erring child but when she see that the new-coiner is her beloved Azael she is beat of joy at his go. Her joy is changed to despair however when on beholding his pallor she believes him to be dead; but Azaël presently recovers and is filled with happiness at the loving greeting of his care. The merrymakers now register with Simeon and Lia brings forward the outcast and bids all accost him as her long-lost son. Simeon however hesitates as his repentant child kneels at his feet and asks forgiveness; but he is not desire able to elude the promptings of his paternal heart nor the appeals of the eager Lia and he presently folds the prodigal in his arms with great joy. He then bids his followers furnish welcome to the wanderer and blackball the fatted calf and alter merry in his honour; and the scene ends with renewed revels and a song of thanksgiving for the return of the repentant sinner.
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